











Professor with a strong background in ethnomusicology, Michael A. Figueroa serves as an Associate Professor at the University of North Carolina at Chapel Hill. His scholarly pursuits are deeply rooted in the intersection of music and politics, particularly within the Southwest Asia and North Africa (SWANA) region and its diasporas. With a keen interest in the Israeli-Palestinian crisis, Figueroa explores how music acts as a medium for political expression and cultural identity in these complex geopolitical landscapes.
At UNC Chapel Hill, Figueroa is an integral part of the Music Department, where he contributes to the academic community through teaching and research. His work is characterized by a commitment to understanding the role of music in racial and political contexts, offering insights into how musical practices can both reflect and influence societal dynamics. His research extends beyond academia, engaging with broader audiences and fostering dialogues on the cultural significance of music in political discourse.
Figueroa is actively involved in professional organizations related to his field, where he collaborates with fellow scholars and enthusiasts. His dedication to fostering a collaborative academic environment is evident in his role at the Institute for the Arts & Humanities, where he facilitates the Faculty of Color and Indigenous Faculty group. This initiative underscores his commitment to diversity and inclusion within the academic community.
As a recipient of the Schwab Academic Excellence Award, Figueroa values the supportive and collaborative atmosphere at the Institute for the Arts & Humanities. This recognition highlights his contributions to the field of ethnomusicology and his dedication to academic excellence. His work not only enriches the academic community but also invites engagement from those interested in the intersections of music, politics, and culture.
Figueroa welcomes collaborations and inquiries from enthusiasts, scholars, and prospective students who share his passion for music and its role in shaping political and cultural narratives. His open approach to collaboration reflects his belief in the power of music to bridge cultural divides and foster understanding across diverse communities.
, 236-263, 2022-07-01
, 1421-1422, 1989-01-01
, 280-287, 1988-01-01
, 1421-1422, 1989-11-01
, 261-282, 2016-09-01
, 518-522, 2010-10-01
, 716-721, 2013-11-01
, 667-668, 2024-10-01
, 168-172, 2014-01-01
, 1029-1029, 2020-07-01
, 1-7, 2015-04-01
, 746, 2010-05-01
, 2021-01-01
, 2014-02-20
, 439-449, 2021-10-01

The University of North Carolina at Chapel Hill's Department of Music offers a comprehensive and engaging environment within the College of Arts and Sciences. It provides undergraduate and graduate programs, including the BA, MM, and PhD, covering areas like performance, music history, theory, composition, musicology, and ethnomusicology. Students learn from internationally recognized faculty in dedicated facilities like Hill Hall, which houses performance spaces, a music library, and practice rooms. The department fosters a dynamic academic culture emphasizing excellence, collaboration, and community engagement, preparing graduates for diverse paths in music and beyond.
View Music





The University of North Carolina at Chapel Hill (UNC, UNC-Chapel Hill, North Carolina, Chapel Hill, or simply Carolina) is a public research university in Chapel Hill, North Carolina. It is the flagship of the University of North Carolina system and is considered to be one of the "Public Ivies". After being chartered in 1789, the university first began enrolling students in 1795, making it one of the oldest public universities in the United States.